This essay grows out of the author’s ongoing research examining issues of affect and agency as these relate to archives and recordkeeping during the post-conflict recovery and political and economic transitions occurring in countries that emerged since 1991 out of the former Socialist Federal Republic of Yugoslavia (SFRY). Specifically, since archivists in the countries play a key role in securing and providing access to records that are essential to individual, community and national recovery and transition, it contemplates possible relationships between affect and individual agency relevant to understanding their personal and professional situations. The essay also provides a synopsis of selective disciplinary literature addressing aspec...
Since the beginning of the war in Bosnia (1992), pundits, legislators, and international and domesti...
This thesis examines the histories of three archives that were displaced from Iraq to the United Sta...
In this chapter, we propose that an acknowledgement of subjectivity in archival work cannot ignore t...
Reporting on ongoing research, this paper reviews stories, drawn from recent literature as well as g...
This dissertation analyzes the post-conflict cinema in the region of the former Yugoslavia, and the ...
This article reports on the findings from a small-scale co-produced qualitative study on experiences...
The aim of this master’s thesis in archival science is to understand how four individuals’ use or cr...
This paper discusses a number of stories about loss, grief and genocide in Bosnia-Herzegovina and th...
The latest war in the former Yugoslavia officially ended with the Dayton Agreement in December of 19...
During the 1992–95 war, the vast majority of people in Bosnia and Herzegovina relied on internationa...
Archives, often targeted for destruction in war, are also given meaning in these conflicts. Institu...
This special issue presents work of the multidisciplinary and international Affective Archives Resea...
Through the lens of the representation of antifascist cultural heritage in former Yugoslavia, this i...
This paper engages the emotional side of Second World War storytelling practices and research. Speci...
Limitations of creatorship alongside archival power and lingering notions of neutrality obscure the ...
Since the beginning of the war in Bosnia (1992), pundits, legislators, and international and domesti...
This thesis examines the histories of three archives that were displaced from Iraq to the United Sta...
In this chapter, we propose that an acknowledgement of subjectivity in archival work cannot ignore t...
Reporting on ongoing research, this paper reviews stories, drawn from recent literature as well as g...
This dissertation analyzes the post-conflict cinema in the region of the former Yugoslavia, and the ...
This article reports on the findings from a small-scale co-produced qualitative study on experiences...
The aim of this master’s thesis in archival science is to understand how four individuals’ use or cr...
This paper discusses a number of stories about loss, grief and genocide in Bosnia-Herzegovina and th...
The latest war in the former Yugoslavia officially ended with the Dayton Agreement in December of 19...
During the 1992–95 war, the vast majority of people in Bosnia and Herzegovina relied on internationa...
Archives, often targeted for destruction in war, are also given meaning in these conflicts. Institu...
This special issue presents work of the multidisciplinary and international Affective Archives Resea...
Through the lens of the representation of antifascist cultural heritage in former Yugoslavia, this i...
This paper engages the emotional side of Second World War storytelling practices and research. Speci...
Limitations of creatorship alongside archival power and lingering notions of neutrality obscure the ...
Since the beginning of the war in Bosnia (1992), pundits, legislators, and international and domesti...
This thesis examines the histories of three archives that were displaced from Iraq to the United Sta...
In this chapter, we propose that an acknowledgement of subjectivity in archival work cannot ignore t...